Silence is a weapon.
Presence is the strike.

BIOGRAPHY

Italian actor with a martial soul. Trained at the Royal Academy of Dramatic Art in London. Worked with Giancarlo Giannini and Stefania De Santis. Every scene is contained truth. Every move is real.

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Current Project
DIEDI SECONDI

Visual short film. 39 seconds of held truth.

You’ve got ten seconds. Then you smile. Then you walk in. Then you pretend everything’s fine. But not now… not now.

This short wasn’t made to stay still

Martial Arts for Film
Real technique. Cinematic presence

Pietro developed his own martial arts system: the MAKA Fighting System
Speed, control, visual impact, and authentic personal defense.

Recognized by Conor McGregor

His work received direct appreciation from Conor McGregor, who met him in Florence and acknowledged the quality and intensity of his videos:

You’re really good. I follow your videos, I learn and train with them. Martial arts forever. — C. McGregor

What you don’t say is still felt.

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Byography
Pietro Di Rauso

Pietro Di Rauso is an Italian actor and martial artist.
He began training in martial arts at the age of six. Years of discipline, focus and consistency shaped his unique physical style – essential, raw, and grounded in truth.
His physical presence comes from deep body awareness, precision, and control. He doesn’t chase showmanship, only substance. Every move matters. Every silence has meaning.

In parallel with his martial path, Pietro pursued acting with the same intensity.
He trained between Italy and the UK, studying at the Royal Academy of Dramatic Art (RADA) in London, where he explored the Stanislavski and Meisner methods.
In Italy, he worked with Giancarlo Giannini, refining vocal work, stage presence, and emotional nuance.

His approach is direct, silent, and authentic.
He doesn’t aim for effect. He aims for truth.

Pietro works on projects where physicality and screen presence become a language. He blends technique and vision, body and silence, to build a unique acting identity—where words come only after the body has already spoken.

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